Quality of Prints and finishes

High Glossy 255 gsm

A high-shine, smooth photographic paper at 255 gsm weight.

Very vibrant colours, excellent for high-impact images; deep blacks; smooth feel.

High reflectivity (glare) can be distracting; fingerprints and smudges more visible; may stick to glass in framing.

Ultra Glossy 300 gsm

Even heavier, ultra high-shine finish at 300 gsm.

Maximal richness, colour pop, very premium feel; ideal for gallery-style prints.

Very reflective; needs careful display lighting; heavier paper may cost more; handling needs care.

Lustre 255 gsm

Fine texture, balanced sheen; sits between glossy and matte.

Strong colour vibrancy, less glare than full gloss; good for portraits, multi-angle viewing.

Slight sheen still present; not as shiny as full gloss so less dramatic; texture may slightly soften fine details.

Semi-matt 300 gsm

A low-gloss finish at 300 gsm; subtle sheen, heavier stock.

Elegant, restrained look; minimal glare; strong tactile quality; suitable for studio or fine art.

Colours a little less vibrant than gloss; finish may appear more subdued; heavier paper may need stronger mounting.

Semi-gloss 255 gsm

Balanced finish: between gloss and lustre, at 255 gsm.

Good compromise: decent colour vibrancy, moderate sheen, less glare; lighter weight.

Slightly less “wow” than ultra-glossy; sheen still present but less pronounced.

Pearl 265 gsm, 280 gsm & 300 gsm

Slightly textured, pearl-effect finish; available in 265 gsm, 280 gsm or 300 gsm. Depending on the size.

Adds subtle texture, luxurious look; less glare than full gloss; great for premium work.

Texture may not suit ultra-fine detail as much; may cost more; finish effect might divert from some minimalistic images.

Smooth Fine Art 312 gsm

High-weight fine art paper, smooth surface, 312 gsm.

Very professional feel; ideal for fine art prints, limited editions; superb archival presence.

Less shine, so colours appear more muted; heavier cost; may require special handling/framing.

Baryta 280 gsm

Traditional photographic fine art paper with a baryta (barium sulphate) layer, 280 gsm.

Rich tonal range, especially excellent for black & white; classic photographic look; excellent museum quality.

Less colour punch than glossy; finish more subtle; heavier cost; may require special mounting.

Titanium Gloss 300 gsm

Premium gloss finish with extra richness and “premium metal-like” feel at 300 gsm.

Ultra high impact; exceptional for high-end portfolios; feels luxurious; superb for gallery display.

Very high reflectivity; premium cost; heavier paper; fingerprints show more easily; may need careful display lighting.

Ultra Glossy Metallic 280 gsm

Metallic base with gloss finish at 280 gsm — special effect finish.

Unique shimmering effect; standout appearance; excellent depth, strong for landscapes and dramatic images.

Metallic effect may change perceived skin-tones (so less ideal for some portraits); finish may limit how the image is viewed under different angles; premium cost.

Lustre Metallic 255 gsm

Metallic base with lustre finish, 255 gsm weight.

Offers metallic depth with reduced glare compared to full gloss; unique premium look; lighter weight than some ultra papers.

Metallic effect may still impact certain images; finish is specialised, so may not suit all display scenarios; cost higher than standard.

Archival Matt 230 gsm

Matte finish optimized for long-term archival use, 230 gsm.

No glare, excellent for fine art or B&W prints; less prone to fingerprints; good longevity.

Colours less vibrant; finish is more restrained; lighter weight paper means may feel less premium; matte texture may reduce sharpness slightly.